Andy Gray is one of the UK's most successful producers and
composers. He has scored Hollywood movies like Swordfish with syncs
on Bourne Identity and Natural Born Killers. He has worked with
many artists including Tori Amos, Paul Oakenfold and Gary Numan and
more recently produced albums by Hard-Fi and Enter
Shikari.
His TV credits are many and varied including the theme
tune of the 11-year running, UK edition of Big Brother. Here he
details his long history of working with Dynaudio Acoustics
monitors and how they have helped him perfectly mix his many high
profile productions.
“They are very smooth sounding and the detail and imaging is fabulous, so I know exactly what sound I’m getting - the more I use them, the more I like them.”
Owner of LAFX Studios, Danny Vicari, talks about why the BM15A monitors are the preferred choice for himself and his clients.
Jona Weinhofen from Bring Me The Horizon talks about how the band is using the DBM50 monitors in the studio. Bring Me The Horizon have been recording their new album for the past 3 months in their studio in Sheffield (U.K.) and they are currently in the mixing stage.
"DBM50 - Powered studio monitors have it all," Mark says as he continues: "A really punchy but crystal clear sound too… I love it. Loads of great features such as low, mid, high frequency passes, level boosts and cuts.
The Technical Excellence & Creativity Awards are among the highest regarded remarks that a manufacturer in the music industry can achieve.
“it doesn’t matter if I’m mixing, if I’m tracking, when it comes to fine tuning I always use my Dyns – that’s why they come with me everywhere”.
Marc JB from Bimbo Jones (Remixer of Lady Gaga, Rihanna and Pink) shares his experience working with DBM50 nearfield monitors from Dynaudio Professional.
Recently we got back from a very successful NAB show in Las Vegas where we received a 'best in show award' for DBM50! Woo-Hoo!
Having begun his career as a Berklee-trained jazz pianist and recording engineer, Wes Lachot describes his entry into the field of studio design as “coming in through the back door.”
When Carl Tatz describes the point at which he knows he’s got the tuning right in any given room he tends to avoid ‘tech speak’ entirely.
Tim Vine-Lott talks about the Dynaudio monitors used at Air Studios in London and their endurance throughout the years.
Will Harry Potter defeat ‘you know who’ in the end? Among the first to know was James Mather and his Dynaudio Acoustics AIR 6 speakers!
Dynaudio Acoustics caught up with Mark Christensen to hear his view of the Dynaudio Acoustics product he uses, how he chose them and the role they play.
Guy Sigsworth is a UK songwriter and producer who has worked with some of the biggest names in music.
Andy Gray is one of the UK’s most successful producers and composers. He has scored Hollywood movies like Swordfish with syncs on Bourne Identity and Natural Born Killers...
The Qemists have just released their second album, Spirit In The System, on the legendary Ninja Tune label.
Matt Robertson has worked along side some of the UK's most talented producers and composers, on films like Hot Fuzz and Quantum of Solace with David Arnold to Alien Vs Predator for Harald Kloser.
The EBC show room is 150 m2 and suited for a lot of different applications, including internal meetings and LOGIC PRO training.
It’s over 20 years since the island of Ibiza became the prominent party destination for the world’s more hedonistic travellers, but this jewel of the Iberian peninsula is renowned for a lot more than partying.
Carl Tatz is a leading studio designer who uses the revolutionary PhantomFocus System™ to help tune any speaker to any environment.
Remixer/Producer Junkie XL – the nom-de-plume of Dutch-born Tom Holkenborg – has been making remarkable music for several decades and uses only the sharpest-edge technologies.
